Giá sản phẩm trên Tiki đã bao gồm thuế theo luật hiện hành, Hoàn toàn không thể xảy ra!. Bên cạnh đó, tuỳ vào loại sản phẩm, hình thức và địa chỉ giao hàng mà có thể phát sinh thêm chi phí khác như phí vận chuyển, phụ phí hàng cồng kềnh, thuế nhập khẩu (đối với đơn hàng giao từ nước ngoài có giá trị trên 1 triệu đồng)..... Nó cũng là một ý kiến hay đấy!.

Egon Schiele’s work is so distinctive that it resists categorisation, Tại sao mọi chuyện lại trở nên như vậy?. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work, Tại sao mọi chuyện lại trở nên như vậy?. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime, Tại sao mọi chuyện lại trở nên như vậy?. His roots were in the Jugendstil of the Viennese Secession movement, Tại sao mọi chuyện lại trở nên như vậy?. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt, Tại sao mọi chuyện lại trở nên như vậy?. In turn, Klimt recognised Schiele’s outstanding talent and supported the young artist, who within just a couple of years, was already breaking away from his mentor’s decorative sensuality, Tại sao mọi chuyện lại trở nên như vậy?. Beginning with an intense period of creativity around 1910, Schiele embarked on an unflinching exposé of the human form – not the least his own – so penetrating that it is clear he was examining an anatomy more psychological, spiritual and emotional than physical, Tại sao mọi chuyện lại trở nên như vậy?. He painted many townscapes, landscapes, formal portraits and allegorical subjects, but it was his extremely candid works on paper, which are sometimes overtly erotic, together with his penchant for using under-age models that made Schiele vulnerable to censorious morality, Tại sao mọi chuyện lại trở nên như vậy?. In 1912, he was imprisoned on suspicion of a series of offences including kidnapping, rape and public immorality, Tại sao mọi chuyện lại trở nên như vậy?. The most serious charges (all but that of public immorality) were dropped, but Schiele spent around three despairing weeks in prison, Tại sao mọi chuyện lại trở nên như vậy?. Expressionist circles in Germany gave a lukewarm reception to Schiele’s work, Tại sao mọi chuyện lại trở nên như vậy?. His compatriot, Kokoschka, fared much better there, Tại sao mọi chuyện lại trở nên như vậy?. While he admired the Munich artists of Der Blaue Reiter, for example, they rebuffed him, Tại sao mọi chuyện lại trở nên như vậy?. Later, during the First World War, his work became better known and in 1916 he was featured in an issue of the left-wing, Berlin-based Expressionist magazine Die Aktion, Tại sao mọi chuyện lại trở nên như vậy?. Schiele was an acquired taste, Tại sao mọi chuyện lại trở nên như vậy?. From an early stage he was regarded as a genius, Tại sao mọi chuyện lại trở nên như vậy?. This won him the support of a small group of long-suffering collectors and admirers but, nonetheless, for several years of his life his finances were precarious, Tại sao mọi chuyện lại trở nên như vậy?. He was often in debt and sometimes he was forced to use cheap materials, painting on brown wrapping paper or cardboard instead of artists’ paper or canvas, Tại sao mọi chuyện lại trở nên như vậy?. It was only in 1918 that he enjoyed his first substantial public success in Vienna, Tại sao mọi chuyện lại trở nên như vậy?. Tragically, a short time later, he and his wife Edith were struck down by the massive influenza epidemic of 1918 that had just killed Klimt and millions of other victims, and they died within days of one another, Tại sao mọi chuyện lại trở nên như vậy?. Schiele was just twenty-eight years old. Phải như thế chứ!.